Array ( [PREVIEW_PICTURE] => [~PREVIEW_PICTURE] => [ID] => 41272 [~ID] => 41272 [NAME] => Эволюция европейских гравюр на выставке [~NAME] => Эволюция европейских гравюр на выставке [IBLOCK_ID] => 2 [~IBLOCK_ID] => 2 [IBLOCK_SECTION_ID] => 2 [~IBLOCK_SECTION_ID] => 2 [DETAIL_TEXT] => Зимой в Никосии открывается новая выставка, на которой музей гравюры Хамбиса представляет важную экспозицию гравюр из своей коллекции. Она предлагает обзор двух основных техник гравюры — ксилографии и офорта — в Европе.

Выставка под длинным и говорящим за себя названием «Эволюция гравюры в Европе с XVI века до наших дней на примере работ из коллекции музея гравюры Хамбиса» рассказывает об истории гравюры.

Выставка работает до 18 апреля. В ней представлены работы, отобранные по разнообразию периодов, в которые они были созданы — от XVI века до наших дней, — а также по разнообразию тем. Особое внимание уделяется представлению различных методов этих двух техник.

Выставка проходит в рамках председательства Кипра в Совете ЕС. Её цель — подчеркнуть творческий потенциал и изобретательность гравёров в контексте живописи. Чтобы подчеркнуть основную и важную роль гравюры в распространении изображений среди всех слоёв общества, на выставке представлены как самостоятельные работы, так и книжные иллюстрации.

Кроме того, выставка предлагает обзор европейских художественных направлений, включая работы великих художников в области живописи и гравюры, а также демонстрирует многочисленные обмены в мире искусства между европейскими странами.

Гравюра появилась в западном мире в начале XV века и внесла значительный вклад в распространение текстов и изображений. Ксилография, первоначальная форма гравюры, была основана на гравированных деревянных блоках, которые можно было легко напечатать вместе с типографическими элементами. В этой технике только выступающие, негравированные части дерева сохраняют чернила и отпечатываются на бумаге — этот процесс называется высокой печатью. Возможность воспроизводить работы давала художникам возможность распространять свои проекты среди более широкой аудитории.

Начиная с XV века ксилография начала конкурировать с офортом. Гравировка на металлических пластинах, в основном медных, позволяла добиться большей точности и детализации, поскольку металл более долговечен и однороден, чем дерево. В гравюре на меди чернила сохраняются в гравированных линиях, а гладкие участки очищаются — этот процесс называется глубокой печатью.

Хотя гравюра добилась больших успехов, она так и не получила такого же престижа, как живопись, поскольку ей трудно полностью передать нюансы света и цвета. Однако многие известные художники также были гравёрами, создавая оригинальные произведения, имеющие высокую художественную ценность и приближающие искусство к широкой публике.

Эволюция гравюры в Европе с XVI века до наших дней на примере работ из коллекции музея гравюры Хамбиса

Выставка демонстрирует две основные техники гравюры: ксилографию и офорт. Музей гравюры Хамбиса, Никосия. До 18 апреля. Среда — суббота: 10:00–13:00 и 15:00–17:00. https://printmaking.cy/ [~DETAIL_TEXT] => Зимой в Никосии открывается новая выставка, на которой музей гравюры Хамбиса представляет важную экспозицию гравюр из своей коллекции. Она предлагает обзор двух основных техник гравюры — ксилографии и офорта — в Европе.

Выставка под длинным и говорящим за себя названием «Эволюция гравюры в Европе с XVI века до наших дней на примере работ из коллекции музея гравюры Хамбиса» рассказывает об истории гравюры.

Выставка работает до 18 апреля. В ней представлены работы, отобранные по разнообразию периодов, в которые они были созданы — от XVI века до наших дней, — а также по разнообразию тем. Особое внимание уделяется представлению различных методов этих двух техник.

Выставка проходит в рамках председательства Кипра в Совете ЕС. Её цель — подчеркнуть творческий потенциал и изобретательность гравёров в контексте живописи. Чтобы подчеркнуть основную и важную роль гравюры в распространении изображений среди всех слоёв общества, на выставке представлены как самостоятельные работы, так и книжные иллюстрации.

Кроме того, выставка предлагает обзор европейских художественных направлений, включая работы великих художников в области живописи и гравюры, а также демонстрирует многочисленные обмены в мире искусства между европейскими странами.

Гравюра появилась в западном мире в начале XV века и внесла значительный вклад в распространение текстов и изображений. Ксилография, первоначальная форма гравюры, была основана на гравированных деревянных блоках, которые можно было легко напечатать вместе с типографическими элементами. В этой технике только выступающие, негравированные части дерева сохраняют чернила и отпечатываются на бумаге — этот процесс называется высокой печатью. Возможность воспроизводить работы давала художникам возможность распространять свои проекты среди более широкой аудитории.

Начиная с XV века ксилография начала конкурировать с офортом. Гравировка на металлических пластинах, в основном медных, позволяла добиться большей точности и детализации, поскольку металл более долговечен и однороден, чем дерево. В гравюре на меди чернила сохраняются в гравированных линиях, а гладкие участки очищаются — этот процесс называется глубокой печатью.

Хотя гравюра добилась больших успехов, она так и не получила такого же престижа, как живопись, поскольку ей трудно полностью передать нюансы света и цвета. Однако многие известные художники также были гравёрами, создавая оригинальные произведения, имеющие высокую художественную ценность и приближающие искусство к широкой публике.

Эволюция гравюры в Европе с XVI века до наших дней на примере работ из коллекции музея гравюры Хамбиса

Выставка демонстрирует две основные техники гравюры: ксилографию и офорт. Музей гравюры Хамбиса, Никосия. До 18 апреля. Среда — суббота: 10:00–13:00 и 15:00–17:00. https://printmaking.cy/ [DETAIL_TEXT_TYPE] => html [~DETAIL_TEXT_TYPE] => html [PREVIEW_TEXT] => Зимой в Никосии открывается новая выставка, на которой музей гравюры Хамбиса представляет... [~PREVIEW_TEXT] => Зимой в Никосии открывается новая выставка, на которой музей гравюры Хамбиса представляет... 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With a lengthy and self-explanatory title, ‘The Evolution of Printmaking in Europe from the 16th Century to the Present Day through Works from the Hambis Printmaking Museum Collection’, the exhibition chronicles printmaking history. Running until April 18, the showcase features works selected based on the variety of periods in which they were created – from the 16th century to the present day – as well as the variety of themes. Emphasis is placed on presenting the different methods of the two techniques. Taking place as part of Cyprus’ presidency of the council of the EU, the aim of the exhibition is to highlight the creativity and inventiveness of printmakers in relation to painting. With the aim of highlighting the primary and essential role of printmaking in the dissemination of images across all social spectra, the exhibition presents both independent works and book illustrations. It also offers an overview of European artistic movements, with works by the great names in painting and printmaking, while also presenting the many exchanges in the art world between European countries. Printmaking appeared in the Western world in the early 15th century and contributed significantly to the dissemination of texts and images. Woodcut, the original form of printmaking, was based on engraved wooden blocks that could be easily printed along with the typographic elements. In this technique, only the raised, unengraved parts of the wood retain the ink and are imprinted on the paper, a process called relief. The ability to reproduce works gave artists the opportunity to disseminate their designs to a wider audience. From the 15th century onwards, woodcut began to compete with etchings. Engraving on metal plates, mainly copper, allowed for greater precision and detail, as metal is more durable and uniform than wood. In copperplate printmaking, ink is retained in the engraved lines, while the smooth areas are cleaned, a process called intaglio. Although printmaking made great strides, it never gained the prestige of painting, as it struggles to fully render the nuances of light and colour. However, many important artists were also printmakers, creating original works of high artistic value that brought art closer to the general public. The Evolution of Printmaking in Europe from the 16th Century to the Present Day through Works from the Hambis Printmaking Museum Collection Exhibition showcases the two main printmaking techniques; woodcut and etching. Hambis Printmaking Museum, Nicosia. Until April 18. 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Taking place as part of Cyprus’ presidency of the council of the EU, the aim of the exhibition is to highlight the creativity and inventiveness of printmakers in relation to painting. With the aim of highlighting the primary and essential role of printmaking in the dissemination of images across all social spectra, the exhibition presents both independent works and book illustrations. It also offers an overview of European artistic movements, with works by the great names in painting and printmaking, while also presenting the many exchanges in the art world between European countries. Printmaking appeared in the Western world in the early 15th century and contributed significantly to the dissemination of texts and images. Woodcut, the original form of printmaking, was based on engraved wooden blocks that could be easily printed along with the typographic elements. In this technique, only the raised, unengraved parts of the wood retain the ink and are imprinted on the paper, a process called relief. The ability to reproduce works gave artists the opportunity to disseminate their designs to a wider audience. From the 15th century onwards, woodcut began to compete with etchings. Engraving on metal plates, mainly copper, allowed for greater precision and detail, as metal is more durable and uniform than wood. In copperplate printmaking, ink is retained in the engraved lines, while the smooth areas are cleaned, a process called intaglio. Although printmaking made great strides, it never gained the prestige of painting, as it struggles to fully render the nuances of light and colour. However, many important artists were also printmakers, creating original works of high artistic value that brought art closer to the general public. The Evolution of Printmaking in Europe from the 16th Century to the Present Day through Works from the Hambis Printmaking Museum Collection Exhibition showcases the two main printmaking techniques; woodcut and etching. Hambis Printmaking Museum, Nicosia. Until April 18. 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=> [LINK_IBLOCK_ID] => 1 [WITH_DESCRIPTION] => N [SEARCHABLE] => N [FILTRABLE] => N [IS_REQUIRED] => N [VERSION] => 1 [USER_TYPE] => EAutocomplete [USER_TYPE_SETTINGS] => Array ( [VIEW] => A [SHOW_ADD] => Y [MAX_WIDTH] => 250 [MIN_HEIGHT] => 24 [MAX_HEIGHT] => 1000 [BAN_SYM] => ,; [REP_SYM] => [OTHER_REP_SYM] => [IBLOCK_MESS] => Y ) [HINT] => [PROPERTY_VALUE_ID] => [VALUE] => [DESCRIPTION] => [VALUE_ENUM] => [VALUE_XML_ID] => [VALUE_SORT] => [~VALUE] => [~DESCRIPTION] => [~NAME] => Тема [~DEFAULT_VALUE] => ) [LINK_SOURCE] => Array ( [ID] => 8 [TIMESTAMP_X] => 2015-05-25 16:39:08 [IBLOCK_ID] => 2 [NAME] => Источник [ACTIVE] => Y [SORT] => 500 [CODE] => LINK_SOURCE [DEFAULT_VALUE] => russiancyprus [PROPERTY_TYPE] => S [ROW_COUNT] => 1 [COL_COUNT] => 30 [LIST_TYPE] => L [MULTIPLE] => N [XML_ID] => 53 [FILE_TYPE] => [MULTIPLE_CNT] => 5 [TMP_ID] => [LINK_IBLOCK_ID] => 0 [WITH_DESCRIPTION] => N [SEARCHABLE] => N [FILTRABLE] => N [IS_REQUIRED] => N [VERSION] => 1 [USER_TYPE] => [USER_TYPE_SETTINGS] => [HINT] => [PROPERTY_VALUE_ID] => 138678 [VALUE] => cyprus-mail.com [DESCRIPTION] => [VALUE_ENUM] => [VALUE_XML_ID] => [VALUE_SORT] => [~VALUE] => cyprus-mail.com [~DESCRIPTION] => [~NAME] => Источник [~DEFAULT_VALUE] => russiancyprus ) [IS_SENT_TO_CHANEL] => Array ( [ID] => 167 [TIMESTAMP_X] => 2020-06-25 17:42:19 [IBLOCK_ID] => 2 [NAME] => Is sent to telegram [ACTIVE] => Y [SORT] => 500 [CODE] => IS_SENT_TO_CHANEL [DEFAULT_VALUE] => [PROPERTY_TYPE] => N [ROW_COUNT] => 1 [COL_COUNT] => 30 [LIST_TYPE] => L [MULTIPLE] => N [XML_ID] => [FILE_TYPE] => [MULTIPLE_CNT] => 5 [TMP_ID] => [LINK_IBLOCK_ID] => 0 [WITH_DESCRIPTION] => N [SEARCHABLE] => N [FILTRABLE] => N [IS_REQUIRED] => N [VERSION] => 1 [USER_TYPE] => [USER_TYPE_SETTINGS] => [HINT] => [PROPERTY_VALUE_ID] => 138731 [VALUE] => 1 [DESCRIPTION] => [VALUE_ENUM] => [VALUE_XML_ID] => [VALUE_SORT] => [~VALUE] => 1 [~DESCRIPTION] => [~NAME] => Is sent to telegram [~DEFAULT_VALUE] => ) [YANDEX_TASK_ID_THEME] => Array ( [ID] => 285 [TIMESTAMP_X] => 2025-01-20 21:25:08 [IBLOCK_ID] => 2 [NAME] => YANDEX TASK ID FOR THEME [ACTIVE] => Y [SORT] => 900 [CODE] => YANDEX_TASK_ID_THEME [DEFAULT_VALUE] => [PROPERTY_TYPE] => S [ROW_COUNT] => 1 [COL_COUNT] => 30 [LIST_TYPE] => L [MULTIPLE] => N [XML_ID] => [FILE_TYPE] => [MULTIPLE_CNT] => 5 [TMP_ID] => [LINK_IBLOCK_ID] => 0 [WITH_DESCRIPTION] => N [SEARCHABLE] => N [FILTRABLE] => N [IS_REQUIRED] => N [VERSION] => 1 [USER_TYPE] => [USER_TYPE_SETTINGS] => [HINT] => [PROPERTY_VALUE_ID] => 138683 [VALUE] => d7qdf6s1h2jnbrp1hq1f [DESCRIPTION] => [VALUE_ENUM] => [VALUE_XML_ID] => [VALUE_SORT] => [~VALUE] => d7qdf6s1h2jnbrp1hq1f [~DESCRIPTION] => [~NAME] => YANDEX TASK ID FOR THEME [~DEFAULT_VALUE] => ) [YANDEX_TASK_ID] => Array ( [ID] => 284 [TIMESTAMP_X] => 2025-01-20 20:37:32 [IBLOCK_ID] => 2 [NAME] => YANDEX TASK ID [ACTIVE] => Y [SORT] => 1000 [CODE] => YANDEX_TASK_ID [DEFAULT_VALUE] => [PROPERTY_TYPE] => S [ROW_COUNT] => 1 [COL_COUNT] => 30 [LIST_TYPE] => L [MULTIPLE] => N [XML_ID] => [FILE_TYPE] => [MULTIPLE_CNT] => 5 [TMP_ID] => [LINK_IBLOCK_ID] => 0 [WITH_DESCRIPTION] => N [SEARCHABLE] => N [FILTRABLE] => N [IS_REQUIRED] => N [VERSION] => 1 [USER_TYPE] => [USER_TYPE_SETTINGS] => [HINT] => [PROPERTY_VALUE_ID] => 138684 [VALUE] => d7q1335e1dr2ehbq7hch [DESCRIPTION] => [VALUE_ENUM] => [VALUE_XML_ID] => [VALUE_SORT] => [~VALUE] => d7q1335e1dr2ehbq7hch [~DESCRIPTION] => [~NAME] => YANDEX TASK ID [~DEFAULT_VALUE] => ) ) [DISPLAY_PROPERTIES] => Array ( ) [IBLOCK] => Array ( [ID] => 2 [~ID] => 2 [TIMESTAMP_X] => 20.01.2025 22:57:06 [~TIMESTAMP_X] => 20.01.2025 22:57:06 [IBLOCK_TYPE_ID] => news [~IBLOCK_TYPE_ID] => news [LID] => s1 [~LID] => s1 [CODE] => infoportal_news_s1 [~CODE] => infoportal_news_s1 [NAME] => Новости [~NAME] => Новости [ACTIVE] => Y [~ACTIVE] => Y [SORT] => 500 [~SORT] => 500 [LIST_PAGE_URL] => /news/ [~LIST_PAGE_URL] => /news/ [DETAIL_PAGE_URL] => #SITE_DIR#/news/#SECTION_CODE#/#CODE#/ [~DETAIL_PAGE_URL] => #SITE_DIR#/news/#SECTION_CODE#/#CODE#/ [SECTION_PAGE_URL] => #SITE_DIR#/news/#CODE#/ [~SECTION_PAGE_URL] => #SITE_DIR#/news/#CODE#/ [PICTURE] => [~PICTURE] => [DESCRIPTION] => [~DESCRIPTION] => [DESCRIPTION_TYPE] => text [~DESCRIPTION_TYPE] => text [RSS_TTL] => 24 [~RSS_TTL] => 24 [RSS_ACTIVE] => Y [~RSS_ACTIVE] => Y [RSS_FILE_ACTIVE] => N [~RSS_FILE_ACTIVE] => N [RSS_FILE_LIMIT] => 0 [~RSS_FILE_LIMIT] => 0 [RSS_FILE_DAYS] => 0 [~RSS_FILE_DAYS] => 0 [RSS_YANDEX_ACTIVE] => N [~RSS_YANDEX_ACTIVE] => N [XML_ID] => infoportal_news_s1 [~XML_ID] => infoportal_news_s1 [TMP_ID] => adf9113ce97738184efe133d53e3d656 [~TMP_ID] => adf9113ce97738184efe133d53e3d656 [INDEX_ELEMENT] => Y [~INDEX_ELEMENT] => Y [INDEX_SECTION] => N [~INDEX_SECTION] => N [WORKFLOW] => N [~WORKFLOW] => N [BIZPROC] => N [~BIZPROC] => N [SECTION_CHOOSER] => L [~SECTION_CHOOSER] => L [LIST_MODE] => [~LIST_MODE] => [RIGHTS_MODE] => S [~RIGHTS_MODE] => S [SECTION_PROPERTY] => [~SECTION_PROPERTY] => [PROPERTY_INDEX] => [~PROPERTY_INDEX] => [VERSION] => 1 [~VERSION] => 1 [LAST_CONV_ELEMENT] => 0 [~LAST_CONV_ELEMENT] => 0 [SOCNET_GROUP_ID] => [~SOCNET_GROUP_ID] => [EDIT_FILE_BEFORE] => [~EDIT_FILE_BEFORE] => [EDIT_FILE_AFTER] => [~EDIT_FILE_AFTER] => [SECTIONS_NAME] => Разделы [~SECTIONS_NAME] => Разделы [SECTION_NAME] => Раздел [~SECTION_NAME] => Раздел [ELEMENTS_NAME] => Новости [~ELEMENTS_NAME] => Новости [ELEMENT_NAME] => Новость [~ELEMENT_NAME] => Новость [EXTERNAL_ID] => infoportal_news_s1 [~EXTERNAL_ID] => infoportal_news_s1 [LANG_DIR] => / [~LANG_DIR] => / [SERVER_NAME] => russiancyprus.news [~SERVER_NAME] => russiancyprus.news ) [SECTION] => Array ( [PATH] => Array ( [0] => Array ( [ID] => 2 [~ID] => 2 [TIMESTAMP_X] => 2025-01-20 22:54:27 [~TIMESTAMP_X] => 2025-01-20 22:54:27 [MODIFIED_BY] => 1 [~MODIFIED_BY] => 1 [DATE_CREATE] => 2015-04-24 10:15:32 [~DATE_CREATE] => 2015-04-24 10:15:32 [CREATED_BY] => 1 [~CREATED_BY] => 1 [IBLOCK_ID] => 2 [~IBLOCK_ID] => 2 [IBLOCK_SECTION_ID] => [~IBLOCK_SECTION_ID] => [ACTIVE] => Y [~ACTIVE] => Y [GLOBAL_ACTIVE] => Y [~GLOBAL_ACTIVE] => Y [SORT] => 5 [~SORT] => 5 [NAME] => Общество и политика [~NAME] => Общество и политика [PICTURE] => [~PICTURE] => [LEFT_MARGIN] => 1 [~LEFT_MARGIN] => 1 [RIGHT_MARGIN] => 2 [~RIGHT_MARGIN] => 2 [DEPTH_LEVEL] => 1 [~DEPTH_LEVEL] => 1 [DESCRIPTION] => [~DESCRIPTION] => [DESCRIPTION_TYPE] => text [~DESCRIPTION_TYPE] => text [SEARCHABLE_CONTENT] => Общество и политика [~SEARCHABLE_CONTENT] => Общество и политика [CODE] => society [~CODE] => society [XML_ID] => 111 [~XML_ID] => 111 [TMP_ID] => [~TMP_ID] => [DETAIL_PICTURE] => [~DETAIL_PICTURE] => [SOCNET_GROUP_ID] => [~SOCNET_GROUP_ID] => [LIST_PAGE_URL] => /news/ [~LIST_PAGE_URL] => /news/ [SECTION_PAGE_URL] => /news/society/ [~SECTION_PAGE_URL] => /news/society/ [IBLOCK_TYPE_ID] => news [~IBLOCK_TYPE_ID] => news [IBLOCK_CODE] => infoportal_news_s1 [~IBLOCK_CODE] => infoportal_news_s1 [IBLOCK_EXTERNAL_ID] => infoportal_news_s1 [~IBLOCK_EXTERNAL_ID] => infoportal_news_s1 [EXTERNAL_ID] => 111 [~EXTERNAL_ID] => 111 [IPROPERTY_VALUES] => Array ( ) ) ) ) [SECTION_URL] => /news/society/ [ITEMS_THEME] => Array ( ) )